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Ballet as sculpture

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<aRodin/Claudel tells the tragically true tale of two French sculptors: Auguste Rodin and Camille Claudel. It is brilliantly choreographed by Peter Quanz to music by French composes including Berlioz, Ravel and Debussy, along with a haunting recording of "Je te veux" by Erik Satie that sounds as if it's being transmitted directly from a radio in the past.

Throughout the scenes the main characters are accompanied by twelve statues who can be molded, posed, or smashed awkwardly to the ground. The statues are dressed in minimal costumes by Michael Gianfrancesco that perfectly match the variety of skin tones so that they truly look as if they are made of clay. Dancing only in their feet, the sculptures allow us to appreciate the lines of classical ballet along with the beauty, strength and fragility of the human form.

In a scene in the studio, Rodin (Marcin Kaczoroski) and Claudel (Valentine Legat) sinuously twine and untwine in the lines of "The Kiss," but only for a moment and then its gone.

Who is made of clay and who is made of stone? You'll know by the end of Rodin/Claudel by Les Grands Ballet Canadiens de Montréal.

“The Kiss” by Auguste Rodin, Tuileries Gardens, Paris

My trip to Ukraine

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In August 2008, while living in the Czech Republic, I jumped at the chance to take a two-week class in Kyiv (Kiev). I had been there earlier that summer for less than twenty-four hours between two night trains en route to Moscow.

“Don’t take the night bus,” my Ukrainian friends warned. I would be robbed while I slept, and people would steal my backpack from under the bus when we stopped. As a precaution, I kept my backpack with me and enjoyed the Russian dubbed version of “Gladiator” on the mini-tvs. The bus seemed to be full of mostly migrant male workers heading home. The border seemed like a huge movie set or a Soviet-era leftover of floodlights and catwalks.

“Use the bathroom on the Polish side, before you cross the border,” my Ukrainian friends advised. It was the last fully functioning toilet I would see for two weeks.

There was no sleep to be had as the driver took the pot-holed roads to the capital at full speed. In the morning, I wasn’t fast enough to capture the charming horse-and-cart I saw on the main road, but I needn’t have worried as I was to see plenty more.

I was very glad to see Sveta’s smiling face at the lively parking lot as bus station when we finally arrived. A friend of a friend, she had been my tour guide for my previous day in Kyiv. Now she took me stay with another friend whose family who lived closer to where my classes would be.

The family lived in a three-room flat in a typical Soviet-era block that looked exactly the same as the flat blocks of Moscow and St Petersburg. Every morning I wound my way out of the complex down to the main street and took a bus past the little old ladies selling produce from buckets: mushrooms, beans, bundles of herbs. I’d get off and walk through a similar neighbourhood, passing an old lady sweeping the street with a broom made of branches, to get to my school.

My afternoons were occupied with trying to change money. After class I’d race from one bank to another, trying in vain to change my Czech crowns or get an advance on my credit card before they closed. I should have brought US dollars, Euros, or Russian roubles. I imposed on the generosity of my hosts until the last day, when I miraculously got an advance on the card. I saw a newsmagazine with a picture of an army boot with Georgia sticking to it like a piece of gum, ready to stomp on Ukraine, but I didn’t have the money to buy it.

My hosts were very busy collecting items to send to Eastern Ukraine, which had suffered devastating floods that summer. They would take it in turns to guard the depot 24/7 until the items could be transported out. Every night I would come back and talk with the mom in the kitchen for an hour. She would ask about my day, correct my Russian and tell me to eat more. Then I went to my room, their living room, to study.


My class went ten days straight, with no break for the weekend, so I had two free days at the end. My host sister took me on an evening disco cruise on the Dneiper to celebrate, pointing out the stunning sites on the river as we danced the night away.

I wanted to find the village my great-grandfather came from but there’s some confusion over the name and my new friends talk me out of it.

“Do you want to go to Chernobyl?”

“Of course!”

We headed out of the city and stopped for a tea break in middle of the forest. Then we went to Tanya’s house for tea. She had a beautiful garden to feed her family and lovely cats. Her son had been accepted to a major college in the city, but he needed a laptop. Where could she get the money for a laptop?


Of course, one can’t actually visit Chernobyl without a special pass, but we stopped for a picture by the sign. About twenty villages that surround it are closed; their names still appear in maps but in brackets, but I’m informed that there are great mushrooms there which are (illegally) collected and sold in the city markets.

Then we went to visit another Tanya, who lived right on the edge of the villages whose names are in brackets. Her son, Sergei, had just got back from Spain, where a special program enables him to spend every summer with the same family. Every summer they make her a beautiful album of what he did and send her a box of chocolates. “Take them,” she said. The family in Spain doesn’t know she has a stomach condition that prohibits eating chocolate.

Another Tanya heard us speaking English as we walked through the village and stopped us. She is wearing rubber boats on her way to muck out the horses. “I’m an English teacher,” she explained, “I wish classes had started, you could come and be a guest speaker. I listen to the BBC all the time. Conditions here are terrible, you know. We thought it would be better after the end of the Soviet Union. I never thought I’d have kids, but then when I was forty…” she shakes her head and points at an adorable little boy peeking shyly out of a protective huddle of kids.

I stop to take a picture of two men in a horse and cart. “Yeah, take your picture!” one of the men yells. “Why don’t you take a picture of that guy? He’s the one who got us into this.” I pose awkwardly under the statue of Lenin.

We stop to visit someone’s 80-year-old babushka whose wooden cottage is painted in bright blue and green gloss. “Come in, come in!” she invites me when I hang back. “I paint my house every summer!” Inside, the cottage is as neat as a pin with wooden furniture pushed up against the walls: bed, table, chairs. Pickles, bread, and cheese are laid out. “Eat, eat!” she commands. I play with some kittens. “Take one!” she offers. “Go pick some apples!”
We go to pick apples. “Chernobyl apples,” my friends laugh as we fill our bags from the enormous orchard.

We stop by a small tranquil lake, where my new friends share their picnic with me: sandwiches, tomatoes, cucumbers. “Isn’t it beautiful here? Tell all your friends to come.”

The next day I head 80 km south to Bila Tserkov (White Church) to visit a friend from back home who married a Ukrainian. The mini-bus is jammed with kids. Since you pay for the seat, the kids’ dad has four all piled up one on top of the other. One is carsick. The bus pulls over and all the women help with a plastic bag, tissues, a candy, water. We continue, with the driver admonished to go more carefully.

After dinner we walk though the beautiful grounds of the 200-year-old Aleksandria Park, the trees green and the air warm, full of couples on a romantic stroll and laughing kids.

My last night in Kyiv is spent in Sveta’s grandmother’s apartment. Her grandmother has gone to the dacha, so I get her bed in the living room, a creaking wooden room with bookcases soaring to the ceiling where I pass a sleepless night.

My tummy has been hurting and I’m eager to leave. I feel Sveta is not getting ready quickly enough to get to the bus station in time. There is a problem with the lock. We have to stop to buy a bottle of something for someone in the Czech Republic. The streets are clogged with traffic because today is the first of September and all the children are going back to school with their parents for the opening ceremony: arms full of flowers and white puffs in the girls’ hair. We finally find the bus and Lyuda is waiting there with her parents. Olya’s dad meets me with a package for her.

Lyuda’s mom has packed us an enormous lunch and we eat it and the Chernobyl apples all the way back to Czechia. Lyuda is taken off the bus before Poland to have her documents double-checked and she’s almost in tears when she finally gets back on. “It’s my fault,” she says, smiling through her glistening eyes. When we finally cross into Poland, we’re in the European Union and the entire bus breaks into applause.

Lyuda’s Czech husband is waiting for us off the bus. “So,” he says, “How was your trip?”

When I get back to my country my camera is stolen. I have the stamps in my passport and a few photos I can scrape from emails I sent. It doesn’t matter. I’ll never forget my trip to Ukraine.

Crazy about Ballet (Swan Lake)

20140202-095238.jpgIn a world constantly inundated with words, words, words, it is sheer bliss to find a place where everyone must turn their cell phones off, sit quietly in the dark, and experience a story unfolding in music and dance.

After marvelling at the classic technical perfection of the Kirov Ballet’s Swan Lake, I thought I should never see it again. But I was intrigued by the idea of James Kudelka’s choreography, which promised to be “ingenious…and add dark psychological complexity” to this 139-year-old ballet based on a German folk tale.

Program notes were not necessary in this production. Costume designer Santo Loquasto contrasted the brown and green velvets of the real world with the ethereal white swans, whose tutus perfectly evoked the look and loft of feathers. Tchaikovsky’s thrilling score, combined with the incredible grace of Greta Hodgkinson and strength of Guillaume Côté, plus twenty swans in Act II, created many electric moments. At one point of dramatic emotion, my scalp was tingling!

Our seats in the upper balcony attracted a motley crew: a well-dressed couple speaking Russian quietly, three guys in track suits who looked like they dropped in directly from a railway waiting room in Central Asia, a young Brazilian dancer seeing her first full-length professional ballet, and three girls on a night out, one of whom proclaimed “Ridiculous!” at the objectification of Siegfried’s potential brides in Act III. She was surely pleased with the twist at the end of this production!

Because there are no recording devices allowed, it was two hours of ephemeral beauty for that audience only. I can only hope to experience the National Ballet of Canada‘s Swan Lake again.

The Spice Bazaar


I wrote a guest post about Istanbul’s wonderful Spice Bazaar on Bust it Away Photography’s photo blog


Natasha and Juliet

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Two classic stories of young women flattened by love offer completely different theatre-going experiences, from a Shakespearian Verona beach house on Broadway to Tolstoy’s snowy Moscow off-.

Natasha and Pierre and the Great Comet of 1812” is a pop-musical slice of “War and Peace” with a side of Russian dinner theatre. The plain white tent under the Highline in the Meatpacking District is the home of Kazino, a custom-built theatre with tables on three levels, red velvet walls and copies of Russian paintings hung gallery style. Ticket-holders are seated at tables set with a shot of borscht; at showtime the actors appear with black bread, the traditional Russian way to greet a guest, and crispy vareniki. Four more scrummy dishes are delivered at intermission.

Meanwhile, the show and music swirl around two curvy stages and the tables on the floor. Characters sing in the first- and third-person, in some cases passages taken directly from the book, or in cutting updates that allow us the see them for what they really are (shame on you, Anatole!) Brittain Ashford‘s folksy “Sonya Alone” is a goose-bump inducing tribute to true friendship. Like Pierre, we’re left feeling hopeful and at least considering a read of the hefty original text.

Romeo and Juliet” starring Orlando Bloom will surely draw a new generation to the Bard performed live. Custom cocktails in sippy cups and ill-advised packaged snacks are available for movie-going converts, and the ‘three hours traffic of the stage’ has been reduced to just over two. All the wit and hilarity Shakespeare intended is there, and perhaps more, delivered with great timing by a superbly talented cast. As the Nurse says, “Go, girl!”

“Natasha and Pierre and the Great Comet of 1812” runs at Kazino until September 2 and may find a new home after that. “Romeo and Juliet” is in previews with opening night on September 19 at the Richard Rogers theatre until January 2014.




The Beauty of the Ballet

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It’s possible to travel across oceans and back in time without ever leaving your city – back to the wonder of childhood or to a velvet seat in pre-Revolutionary Russia. Such is the power of the ballet.

Ballerina and girl before The Nutcracker at the Lincoln Centre

Ballerina and girl before NYCB’s The Nutcracker at the Lincoln Centre

The Nutcracker was the first ballet I ever saw, at the Centennial Concert Hall on snowy Main Street. I marvelled at the gorgeous chandelier, the rich sound of the familiar score played live, the fairy-tale characters and the incredible human form.

Some time spent in Russia was a great way to see and learn more. Saint Petersburg’s Mariinsky, or Kirov, Ballet, has such control and precision with Swan Lake, with an incredible 32 ballerina swans on stage for the Waltz. Moscow’s State Kremlin Palace is a triumph of Soviet architecture, and a ticket for the Kremlin Ballet includes entry for a pre-performance stroll of the grounds. The Bolshoi Theatre (now in its 237th season) is where, in 1944, it was the audience members Stalin and Churchill who received a standing ovation.

Ballet puts you in the same seat as tsars and princesses, and a few weeks ago I was thrilled to take mine for The Sleeping Beauty. I settled back to enjoy the same music by Pyotr Tchaikovsky and choreography by Marius Petipa as the audience at the premiere 123 years ago. Danced by my hometown Royal Winnipeg Ballet, it was bright, colourful and full of joy. I was frightened by the actions of Carabosse, relieved by the saving grace of the Lilac Fairy, and delighted by the antics of Puss in Boots and the Bluebird. Principal dancer Jo-Ann Sundermeier‘s Aurora smiled throughout the entire two-hour plus showtime, which was over all too soon. The packed house was on its feet, but the thunderous applause and wolf whistles were still insufficient to express our gratitude for the magic we just witnessed.

What is your favourite ballet?

Schiphol Stopover

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buckets of tulips in Schiphol

buckets of tulips in the airport

I always love when my itinerary includes a few hours to change planes at Amsterdam-Schiphol Airport. There’s never enough time to head for the city, but Holland-Boulevard offers something more than a generic airport transfer.

The first stop should be Dutch Kitchen. They feature local products and cuisine, such as a hot farmhouse-style egg sandwich on thick bread and a cup of Van Houtte coffee. My favourites are the tiny puffs of poffertjes dusted with sugar and freshly pressed Zeeland apple appelsap. It can all be enjoyed at an oversized wooden table while admiring the display of blue and white Delft pottery, taking advantage of free wifi, and listening to the final boarding calls for the four corners of the earth.

Next is the free annex of the newly-renovated in real-life Rijksmuseum. Ten or more original paintings are displayed up a short flight of stairs. These works of Dutch masters in dark oils with small jewels of colour are carefully chosen to illuminate representative themes such as still life, exploration or skating, with interpretive panels in Dutch and English. The museum giftshop at the bottom of the stairs has magnets, cards, and other souvenirs that replicate famous works of art from the Museum’s main collection.

It all adds up to feel like an actual mini-trip to the Netherlands. As I run for the next flight, I think how lovely it would be to stay longer next time — and perhaps even to get out of the airport.