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Ballet as sculpture

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<aRodin/Claudel tells the tragically true tale of two French sculptors: Auguste Rodin and Camille Claudel. It is brilliantly choreographed by Peter Quanz to music by French composes including Berlioz, Ravel and Debussy, along with a haunting recording of "Je te veux" by Erik Satie that sounds as if it's being transmitted directly from a radio in the past.

Throughout the scenes the main characters are accompanied by twelve statues who can be molded, posed, or smashed awkwardly to the ground. The statues are dressed in minimal costumes by Michael Gianfrancesco that perfectly match the variety of skin tones so that they truly look as if they are made of clay. Dancing only in their feet, the sculptures allow us to appreciate the lines of classical ballet along with the beauty, strength and fragility of the human form.

In a scene in the studio, Rodin (Marcin Kaczoroski) and Claudel (Valentine Legat) sinuously twine and untwine in the lines of "The Kiss," but only for a moment and then its gone.

Who is made of clay and who is made of stone? You'll know by the end of Rodin/Claudel by Les Grands Ballet Canadiens de Montréal.

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“The Kiss” by Auguste Rodin, Tuileries Gardens, Paris

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